ROB ELLENBERG SOUND
Rob is a production sound mixer with experience in film, television, documentaries, commercials, music videos and more.
Select Recent Credits:
Rob has worked with many talented directors, including Oscar winners Barbara Kopple and Jehane Noujaim, as well as Oscar nominee Paul Thomas Anderson. His work has been featured at the Sundance Film Festival and Tribeca Film Festival, among others.
He is a graduate of the Conservatory of Recording Arts & Sciences (Tempe, AZ), and also earned a Bachelor's Degree in Communications from Bridgewater State University (Bridgewater, MA).
He has been invited as a guest lecturer to both the Conservatory of Recording Arts & Sciences, as well as Glass Shack Film School (New York, NY).
Before working in production sound, Rob was an assistant engineer at Soundworks Studios in Burbank, CA.
Rob also works as a recording engineer, producer, and multi-instrumentalist with various singer/songwriters. Most recently, he recorded, mixed, and performed on NYC based David Russell's new album, titled The Garden
Please contact for rates and availability.
New York, NY
Sound Devices 633 Ten-Track
Sound Devices MixPre-3 ii Five-Track
Sound Devices MixPre-3 Five-Track
Sound Devices 744T Four-Track
Sound Devices 302
Sennheiser MKH416 shotgun
Sennheiser MKH50 supercardiod
RØDE NTG-3 shotgun
Sanken COS11-D lavaliers (x3)
Lectrosonics M152 lavalier (x1)
Oscar Sound Tech TL40 lavaliers (x2)
Sennheiser ME2 lavaliers (x3)
Sennheiser E815 handheld dynamic
Shure SM58 handheld dynamic
WIRELESS MICROPHONE SYSTEMS
Lectrosonics SRb stereo receiver (x1)
Lectrosonics UCR 210D diversity receiver (x2)
Lectrosonics UCR 201 diversity receiver (x1)
Lectrosonics SM transmitter (x2)
Lectrosonics UM 200C transmitter (x3)
Sennheiser EK 100 G3 diversity receiver (x3)
Sennheiser SK 100 G3 transmitter (x3)
Sennheiser MZA900P in-line preamp
K-Tek Avalon Cabled 9 Ft. Boom Pole
Rycote S-Series Windshield Kit
Windtech Fur Windcover
RØDE SM3 Shockmount
Truman BoomMate Pole Holder
Comtek BST-75 Transmitter
Comtek M-216 Transmitter
Comtek PR-216 Receiver (x2)
Denecke TS-C Time Code Slate
Denecke SB-3 Lockit Box
Tentacle Sync Lockit Box (x2)
Sony MDR-7506 (x2)
Sennheiser Mono Headsets for Comteks (x2)
Custom 25 Ft. ENG Breakaway Cable
PSC 15 Ft. XLR Cable (x2)
PSC 25 Ft. XLR Cable (x2)
PSC 100 Ft. XLR Cable (x2)
5-pin Lemo Time Code Cable
5-pin Lemo to BNC in & out Time Code Cable
4-pin Lemo to BNC Time Code Cable (RED Epic)
Various Audio Adaptors and Cables
Sobrante Clapper Board
Transcend/Sandisk Compact Flash Cards
Belkin Compact Flash Reader
Sanyo AA Battery Charging System
Petrol Mixer Bag
Portabrace Cargo Bag
"When I hire a sound guy, I want someone who is technically proficient and creative, who can come up with creative solutions on the fly on location when problems arise. Often I don't have the luxury of doing ADR for my exterior scenes. Rob's exterior sound capture is always usable! His creativity in a pinch is always impressive. And for me, what I find as important as being a good "sound guy," is being a good guy. I can say without a doubt that Rob is one of the kindest, sweetest people I have ever met in the industry. I find this essential on set, to have reliable, talented, yet NICE people. It only makes the actors more comfortable when someone like Rob is in their delicate working space. I recommend Rob highly."
Shaun Peterson, director of Disney's "Rule the Mix"
"Rob did a terrific job on our film. Our schedule was ambitious and our days were long but Rob stayed calm under pressure, was always meticulous and was a pleasure to have on set. The production audio sounds great. I recommend him highly."
Claudia Myers, writer/director of feature film "Fort Bliss"
"It's such a pleasure working with someone who's professionalism not only allows the shoot to run as smoothly as possible but who yields results beyond what I asked for. Rob is that type of sound mixer. I've had the opportunity to work with many mixers on set and Rob will remain my first choice. His dedication to his craft is exactly what I needed. To not have to worry about such an important aspect of production is not to be underestimated. I look forward to working with Rob again."
Will Norton, writer/director of feature film "False Colors"